Friday, 27 April 2012

No Splendour For Clare

I'M RATHER UPSET TODAY. 

LIKE SEVERAL THOUSAND OTHER AUSTRALIANS, I LOGGED ON TO MY MOSHTIX ACCOUNT AT 8:55AM, EAGER TO SECURE MYSELF A SPLENDOUR IN THE GRASS TICKET. 

SADLY, I AM NOT ONE OF THE 17,500 WHO WILL BE TRAVELING TO BYRON BAY IN JULY AND DANCE TO THE LIKES OF JACK WHITE, THE SHINS, BLOC PARTY, SMASHING PUMPKINS OR AT THE DRIVE IN. THE ENTIRE FESTIVAL INCLUDING DAY-TICKETS AND CAMPING SPACES SOLD OUT IN 43 MINUTES. HOWEVER I DO FIND THE CAPITAL LETTERS ARE MAKING ME FEEL BETTER.
An Original Sharpie Design On The Back Of My Lecture Notes

IF ANYONE HAS SEEN THE SPLENDOUR FACEBOOK PAGE TODAY, THEY WILL HAVE SEEN THAT I AM NOT ALONE IN MY WOES. MANY PEOPLE WERE NOT ABLE TO SECURE THE TICKET THEY DESIRED. WHILE SOME BICKER OVER SCALPING (SOMETHING THAT SPLENDOUR ORGANISERS HAVE GENERALLY MADE ALMOST IMPOSSIBLE WITH SECURITY MEASURES) THE REST OF US HAVE RESIGNED OURSELVES TO THE INEVITABLE. ALTHOUGH THE FESTIVAL DID NOT SELL OUT LAST YEAR, THE WEEKEND'S CAPACITY THEN WAS ACTUALLY AROUND 30,000 - MAKING THIS YEAR A CONSIDERABLE DECREASE. PERHAPS ORGANISERS WILL HAVE TO RECONSIDER THEIR DEAL WITH THE BYRON BAY COUNCIL. IN THE MEAN TIME, I'LL JUST CONTINUE TO FEEL SORRY FOR MYSELF AND LISTEN TO THE SHINS. 

NO SPLENDOUR FOR CLARE :(
Caring Is Creepy
The Shins

Thursday, 26 April 2012

Bill - Factual Story Assignment



William (Bill) Atkinson was a most beloved Great Uncle, always kind, generous and a great sense of humour.  Although he lived in New South Wales during the latter part of his life, he never failed to make an annual pilgrimage to his hometown in Tasmania to visit family and attend a reunion service for the battalion he served in during World War II.  Bill was not always forthcoming with stories about the war, though he occasionally gave snippets about his time in service, particularly if there was a good anecdote to be had.  After one particular reunion he said that there had been a member of the group whom he had heard loudly exclaiming that, “Bill Atkinson, he gave me a shirt once, but I’ll be damned if I know where the bugger got it.”  As it turns out, there is quite a story behind how Bill came to give a fellow comrade a shirt whilst they both floated in the middle of the Pacific Ocean.

Bill was brought up in during the height of the Great Depression and placed in foster care when he was six years old; his early life was a trial in and of itself.  He recalls getting the cane every day at school for not being able to produce a workbook or handkerchief each morning, items he was never able to afford.  By age 11 he had left school and was labouring fulltime for a mere five shillings a week. While the rest of his formative years were spent pursuing any employment he could find, the real hardships in Bill’s life had barely begun.

On the 22nd of October 1940, he enlisted in the 2/40 Infantry Battalion of the Second AIF to, “help the other blokes out.”  A mere 20 years old, Bill trained first in Brighton, Tasmania before being shipped to regional Victoria for further training.  The battalion was originally formed to fight German forces in Europe, however by early 1941 it was decided to use the men to garrison a forward airbase in Timor should Japan enter the war.  Subsequently Bill was sent to Darwin to acclimatise to the tropics before he was deployed to Timor. The battalion included 795 Tasmanians in its complement of 919 men when it left Australian shores in December 1941.

In Timor, the Australians were told that the Japanese troops could only land in one place, so they spent the next few weeks clearing land, building firing positions and preparing for the invasion.  All of this effort was ultimately in vain, as the Japanese landed in a completely different location, far sooner and in much larger numbers than had been anticipated.  Despite the valiant efforts of the allied men, the Japanese forces outnumbered them more than 22 to one.  Whilst subject to frequent Japanese air raids, the 2/40th Battalion attempted a retreat to the hillside where more supplies waited for them.  One night, while the men slept, the Japanese surrounded the camp and gave the battalion the option to surrender.  After days of exhausting defensive combat, and with no food or ammunition remaining, the battalion was forced to surrender on the 20th February 1942.  In spite of this, Bill remembers the Japanese air force actually bombed the defenceless soldiers after they had been captured, killing several men. 

Bill worked loading boats from a Timor prison camp for six months before he was moved to Java for about a year, where he did a variety of labouring work, from planting trees to making string.  As a prisoner of war he had little or no access to medical supplies and survived on insect-invested rice rations.  By June 1944, the work in Java had ended and Bill was to be shipped to mainland Japan. The remainder of his battalion joined British, U.S and Dutch POWs onboard the Japanese prisoner ship, Tamahoko Maru. On the 20th of June, Bill recalls a conversation with his two friends in which they tried to persuade him into joining them below deck to get a decent night’s sleep. Instead he decides to sleep on deck, a decision that ultimately saves his life.

At 11:50pm, some 40 miles South West of Nagasaki, the Tamahoko Maru was hit with a torpedo by a U.S. submarine. Once breached, the ship sunk in under two minutes. Of the 772 prisoners onboard, only 212 survived the attack by the allied forces unaware that it had been a prisoner ship.  As the attack had taken place at night, the soldiers were not wearing clothes at the time.  Bill found himself clinging to the wreckage in the Pacific Ocean, in the middle of the night.  Fortunately, a case filled with clothes floated by and he was able to dress himself and he even threw a shirt to a nearby comrade.  The surviving men remained in the water for some 12 hours before the Japanese forces rescued them.  After the rescue, Bill was taken to Nagasaki to work in a factory before being moved to coal mine at Omine, working in exhausting conditions, battling with fleas, malnutrition and other diseases.  During air raids the prisoners were shoved into a crude bomb shelter in the side of a hill.  If a prisoner looked up at the planes they’d be beaten, and if Japan was ever invaded, the prison guards intended to gas the air raid shelter to kill all of the prisoners.  Bill remained at Omine until the end of the war in 1945.

Some 50 years later, at a reunion for returned soldiers of the 2/40th Battalion, Bill approached the man he’d been stranded in the Pacific with, and politely asked if he could please have his shirt back.  Great Uncle Bill will always be remembered for both his service to his country and his truly inspiring spirit.  Although modern technology is able to accurately preserve the events in warzones today, an entire generation’s first hand experiences of war are at risk of becoming lost with time.  Thus the responsibility of preserving these memories falls to the friends and families of the thousands of Australians who have volunteered to serve their country.  This is the story of Bill Atkinson and how he survived as a POW for three years and returned home to even start a family, although he has not eaten a single grain of rice since 1945.

 Lest We Forget

Friday, 20 April 2012

Splendour In The Grass Line-Up


JACK WHITE | BLOC PARTY (ONLY AUSTRALIAN SHOW) | SMASHING PUMPKINS | AT THE DRIVE-IN (ONLY AUSTRALIA SHOW) | THE SHINS | HILLTOP HOODS | THE KOOKS (ONLY AUSTRALIAN SHOW) | MIIKE SNOW | GOSSIP | DIRTY THREE (ONLY AUSTRALIAN SHOW) | LANA DEL REY | 360 | AZEALIA BANKS | TAME IMPALA | EXPLOSIONS IN THE SKY (ONLY AUSTRALIAN SHOW) | BAND OF SKULLS | LADYHAWKE | THE AFGHAN WHIGS | MISSY HIGGINS | WOLFMOTHER | METRIC | KIMBRA | MUDHONEY | 50 YEARS OF DYLAN | SPIDERBAIT | DJANGO DJANGO | GYPSY & THE CAT | SAN CISCO | LAST DINOSAURS | ELECTRIC GUEST | MUSCLES | ANGUS STONE | DZ DEATHRAYS | HOWLER | LANIE LANE | FUN. | BIG SCARY | MICHAEL KIWANUKA | SEEKAE | FRIENDS | YACHT CLUB DJ'S | BERTIE BLACKMAN | JINJA SAFARI | BLUE KING BROWN | YOUTH LAGOON | POND | THE BEAUTIFUL GIRLS | YUKSEK | TIJUANA CARTEL | BALL PARK MUSIC | THE RUBENS | BEN HOWARD | BLEEDING KNEES CLUB | ZULU WINTER | THE MEDICS | SHIHAD | HYPNOTIC BRASS ENSEMBLE | HUSKY | KATE MILLER-HEIDKE | FATHER JOHN MISTY | EMMA LOUISE | CHET FAKER | HERE WE GO MAGIC | PARACHUTE YOUTH | MOSMAN ALDER | THE CAST OF CHEERS | WOLF & CUB | GOSSLING |

Bloc Party
Banquet - Live At Glastonbury 
After all the speculation, leaked plans and waiting, the lineup for Splendour In The Grass has finally been announced. Although some of the acts were no surprise, others revelations were quite unexpected. Jack White, Bloc Party, The Shins and Azealia Banks all let slip in some form of other that they would be visiting Australia 'soon,' however other headliners were kept well and truly secret.
Jack White 
Love Interruption
No lineup ever satisfies everyone, last year in particular was criticised and even suffered in sales. However with the recently reunited At The Drive In at the helm, I believe Splendour organisers should be proud of what they've produced this year.
At The Drive In
2012 Coachella
Personally I am already excited to see Jack White, Smashing Pumpkins, Miike Snow, Bloc Party, ATTDI and The Shins to name a few, as I imagine is much of Australia (it's been a while since any of them have graced our shores). It's also pleasing to see the promotion of some of Queensland's newest bands to the lineup like Bleeding Knees Club, Ball Park Music, Emma Louise, DZ Deathrays and more. I have actually seen over 20 of the acts on the bill, which is probably an indication I should stop going to so many gigs, but also makes me even more excited to see some of the acts again. The Kooks at Falls Festival on New Years Eve were absolutely brilliant, thanks to them Naive is the first song I heard in 2012 - they are really so much fun.
Emma Louise
Jungle
This festival spends the more money on acts than any other in Australia and as such continually brings a combination of huge international acts and new talent (see Django Django, Zulu Winter etc). Although this then means that punters must pay a fairly steep price to see their beloved rockstars but I can't imagine it is easy to convince acts to visit a small town in Australia in the middle of Winter without some sort of cash incentive!
Get excited Brisbane (and everyone else)!
Django Django
Default
The Kooks
Junk Of The Heart


Lecture Seven

Public Media is owned by the common people. These outlets do not have to answer to sponsors or meet ratings quotas, and are completely free to report on any issue provided they abide by AJA ethics. This freedom allows for stations to cover the interests of niche markets from international politics and science to religious programming and historical investigations. 


In the lecture, Bruce talked about how it is sometimes criticised for being dull and out-of-touch however I don't think that analysis by the public is entirely fair. Not all news is actually exciting or, dare I say, entertaining. If the ABC or SBS did not report on certain political stories, scientific developments, commerce and other 'dreary' subjects, then who would? Though the general public may not necessarily be interested in every niche in society, the information still needs to be available to those who seek it. Public Media also plays a very important role in rural areas. Both in ensuring that they receive coverage of important events, but also reporting on local issues in these remote areas. 


Although the majority of American TV sitcoms, dramas and our own reality shows are aired by commercial stations, ABC and SBS are also a valuable source of dramas. Sometimes the programs they run become so popular that the rights are purchased by commercial stations such as ABC's Kath & Kim or Top Gear on SBS (via the BBC). More importantly, they always broadcast the more eclectic television ventures (i.e anything Noel Fielding makes) which quite frankly, are far more exciting than Australia's Next Top Model.
Noel Fielding's Luxury Comedy ABC2
I think it is admirable that there are enough journalists at the ABC who have had the vision, and are brave enough to set up a 24hour news station with no additional funding. Today news is available almost instantly online, and although ABC 24 is not without production issues, they are always ready and able to cross live to any major news event without the restriction of program schedules or print delays. 
ABC News 24 Launch
Compared to the general public, I have rather alternate tastes. I'm very interested in politics which is an area that ABC caters for far better than any other station. I also listen to a lot of Triple J Radio, the role that they play in the Australian music scene is great. No other station has the support base for new, unsigned artists especially with the recent launch of the Unearthed digital radio station. 
Triple J Unearthed
Part of the reason I love ABC is because they broadcast so many of the BBC dramas that I have spent many happy hours on the couch watching. None more so than Dr Who! 
Dr Who Marathon ABC2
This year the ABC is celebrating 80 years of broadcasting, they have put together 80 audio-visual bytes from their archives of moments that changed Australia. 
80 Years of ABC

Bleeding Knees Club @ Alhambra

Completely insane. Well that's what it felt like Easter Sunday when everyone's favourite Gold Coast duo, Bleeding Knees Club took to the stage at Alhambra Lounge. Supported by  Brisbane's Gung Ho and Dune Rats, the night was anything as sombre as the holiday is perhaps intended. 


Bleeding Knees' Alex Wall and Jordan Malane have known each other for years but 18 short months ago, they both decided to teach each other guitar (neither of them could play) and throw some songs together. They often admit that the entire venture was originally a bit of a joke, even their name is reference to "giving head on gravel." Theirs is a success story unlike many home-grown bands circulating the Australian music scene at the moment. Before many people in Australia even knew of their existence, British publications were raving about the latest lo-fi garage group our little old colony had produced. NME even included Bleeding Knees in their Top 50 Bands to watch in 2012.


  
Despite their limited experience, the pair have very distinct ideas about what they wanted to sound like as a band. They recorded their latest EP with Dev Hynes (Lightspeed Champion, Blood Orange) in only five days. Nothing To Do was released earlier last month before the boys began their tour around Australia.

Although Gung Ho is actually the name of an old US sitcom, the Brisbane group are definitely reviving the title in a whole new way. The group bounced up onto the stage, quite excitedly although I didn't take much notice at the time. Once they started playing however, I was completely surprised at the sound they were producing, much more sophisticated than their youth had lead me to expect. Side By Side was an absolute highlight of the entire evening, drawing quite a large crowd away from the bar in a dancing frenzy. You can listen to the song on the band's Unearthed page: http://www.triplejunearthed.com/GungHo

Dune Rats were equally as fun although perhaps a bit more intoxicated. This didn't seem to bother the crowd although for all their hype I couldn't help but be mildly disappointed. Perhaps it was because the songs that they have recorded and gained such a following for were a little difficult to distinguish with all the raucous. Their performance definitely improved with time though and I certainly don't think that they should be dismissed as just another garage band just yet.  

Bleeding Knees Club worked their way through what seemed to be their entire catalogue, and everyone absolutely loved it. Every so often Alex would pause and ask Jordan which song they should do next before they'd launch into another energetic frenzy of scratchy guitar and tomfoolery. Jumping from the Bass Drum, into the crowd or across the stage, no one was standing still for more than a moment. Nothing To Do and Teenage Girls were standouts, and the crowd did not need to be asked twice when Wall told everyone to storm the stage. By the last chorus, chords were flying, people were flying for that matter, security guards were panicky and everyone was laughing. They may not have a whole lot of experience under their belts, but they sure know how to have fun.


 

Lecture Six

Commercial media plays an interesting role in Australia. While it is generally favoured by the majority of people for entertainment, sports coverage and special events, 


Essentially because commercial media is driven by the profit margins and dollars, ensuring high ratings is the only way they can receive sponsorship. Channels Seven, Nine and Ten compete in bidding wars to secure the rights to televise large sporting events and popular TV programs. For example this year Channel Nine will be programming the majority of the 2012 London Olympics which has a huge audience Australia-wide. 


News is presented in a variety of ways on commercial station. Each have their own nightly news, factually based presentation in addition to various current affairs programs (where one can learn about shady car dealers, police out to get drivers and how to save on groceries each week) and morning shows. Although the latter contains bursts of factual news, the focus of programs such as Sunrise, Mornings with Keri Anne or Today is far more 'wider entertainment.' These programs often have guests, 'experts' on issues like relationships/health/wellbeing and a myriad of infomercials. 


The boys from ABC's Chaser's War on Everything frequently produced segments about what they had learned from Today Tonight or A Current Affair (from Seven and Nine respectively), making light of the often idiotic story angles they propagate. It can be quite amusing:
Chasers War on Everything - Current Affairs 08/05/07
I concede that it is quite likely that as a journalist I will be working for a commercial station at some point, in part due to the size of the industry but also because of the income potential. Despite this, I still think I would prefer to work for a public network like the ABC as I believe I'd be far more likely to be able to write investigative stories about less 'popularised' issues, particularly in politics. I have no intention of letting a pushy editor force me to compromise on my own morals though. Earning good money isn't that important, I want to give the public correct information.


Not all comercial news is bound to be false or misleading, however the fact that so many journalists do not verify information is somewhat concerning. This video is from the ABC program, Hungry Beast, where a bunch of young journalists created a false survey and released it to see if any of the media outlets would bother to verify it. The results are scary.

Thursday, 19 April 2012

Lecture Five



This week I was able to enjoy the lecture from the comfort of my own lounge, although not because I was too lazy to attend and instead watched the podcast. The lecture was about audio, and was therefor presented as a recorded session of interviews about radio.

Richard Fidler and Steve Austin, of ABC Local Radio were interviewed about their views on the medium. I found their insight very thought provoking, giving a really interesting perspective on radio that many people don't consider. Steve in particular was very excited by the capabilities of radio. He feels that it allows the audience to connect more emotionally with the stories presented as the interviews are not 'spoken at' a person such as in TV, but rather it penetrates ones thoughts subconsciously. 

I've inherited my enjoyment of radio news from my mother, she is always listening to the programs on the ABC and often sprouts out facts about new studies on everything from behavioural management in schools (she is a teacher after all) to biographic tid-bits she has learned about famous/well travelled guests on the programs. I am also an avid debater, which in essence, relies purely on the conveyance of an argument with the voice. I really admire the great journalists in radio who seem to be able to extract the most amazing stories from people in such a way that I feel a part of the whole experience. 

I think radio has a very exciting future in digital broadcasting. The transition will be a lengthy one as generally the car is where most people listen to the radio and old cars are fitted out with analog radios. Despite this, the ability to stream stations online has allowed radio stations to really penetrate further afield than their local areas as well as give more choice to the audience. 

Noel Gallagher (formerly of Oasis) is notorious for his often controversial and highly opinionated interviews. While he is undeniably witty and somewhat right in the things he says, I also find that his personality takes over in an interview situation. Especially given that he is seen as somewhat a brit-pop god, I imagine he is quite a daunting person to talk to at times. Some people probably find his domineering personality detracts from conversation; he always steers the interviews. However I really find his manner and the stories he tells quite interesting to listen to, although I can definitely appreciate how frustrating it must be for journalists sometimes. 

This is a radio interview he did with Triple J's Tom & Alex earlier this year whilst he was in Australia for Big Day Out. I think it illustrates what I am talking about fairly well, and it is also quite funny!
 
Noel Gallagher
Triple J's Tom & Alex 


Record Store Day


Since its inception in 2008, Record Store Day has become a worldwide celebration of all things vinyl.  This year labels and artist have really outdone themselves with the number and quality of limited releases we can expect to arrive in some record stores on the 21st of AprilThe whole list of special releases is on the website (below) and they really are something special. Personally I'd love to have the Arctic Monkeys 7" purple vinyl of R U Mine + a brand new B-Side. But it's only a very limited release so I don't favour my chances of scoring one. 
Hundreds of Independent Music Stores around the world are celebrating with in-store performances and many other surprises. Most exciting would have to be the musical gems created by a little store by the name of Third Man Records, based in Nashville, USA. They are truly the the Willy Wonka factory of vinyl making. The company released a teaser of the cool records they would be releasing for Record Store Day 2012. Everything you could imagine, including multi-coloured vinyl, etched surface vinyls and my favourite, a blue liquid-filled vinyl. (WOW!)
THIRD MAN RECORDS
Record Store Day 2012

Brisbane's own popular independent record store, Rocking Horse, will be having a store-wide sale and performances from local acts, Jungle Giants, Blank Realm and Rattlehand. Check out the Facebook event for all the details! It will be a super fun day, but if you do come across the Arctic Monkeys vinyl, HANDS OFF!.. No seriously, I am willing to go to extreme lengths, even fist blows if necessary to get it!
To the majority of people, vinyl records are either just some dusty, outdated technology belonging to an old generation, or an eccentric interest of an alternate few. However despite the decline in music sales globally, record sales have actually continually increased over the past few years, so perhaps vinyls will always have a place in the hearts of music lovers. I'm definitely looking forward to Saturday at any rate :)
“I think it’s high time the mentors, big brothers, big sisters, parents, Guardians, and neighborhood ne’er do wells, start taking younger people That look up to them To a real record store and show them what an important part of life music really is. I trust no one who hasn’t time for music. What a shame to Leave a child, or worse, a generation orphaned from one of life’s great beauties. And to the record stores, artists, labels, dj’s, and journalists; we’re all in this together. Show respect for the tangible music that you’ve dedicated your careers and lives to, and help It from becoming nothing more than disposable digital data.”
- Jack White